Language is the earliest and most pervasive form of cultural conditioning.
We inherit phrases before we inherit beliefs; we absorb tone before thought.
Words become invisible scripts that dictate how we behave, what we fear, whom we serve, and how much of ourselves we’re allowed to express.
My work explores symbolic relativity — the understanding that words do not simply reflect reality but actively construct it. The meanings we assign to phrases, the emotional charge of a single word, the “acceptable” ways of speaking: these shape our identity as much as any law or structure.
By distorting, amplifying, dissolving, and rearranging familiar language, I aim to expose its hidden architecture. My installations are spaces where phrases lose their authority, where inherited scripts unravel, and where the listener is free to question the cultural scaffolding they have carried silently for years.
I use sound as a way to return words to the body.
I use poetry as a way to return meaning to uncertainty.
If my work offers anything, it is this:
a chance to hear the conditioning — and to hear yourself outside of it.
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